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Archive for the ‘Pottery exhibition’ Category

Ceramic jewelry because “only”and by holding

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With new ideas, new culture shock, new elements into the traditional ceramics. In recent years, a new cultural and creative – is the rapid development of ceramic jewelry. The emergence of ceramic jewelry, broken jewelry in China have remained in the original pearls, diamonds, crystal, metal, wood and other limitations of the main raw materials, ceramics, jewelry, or by modeling surprising or new look at the decorations on the show, creating a timeless meaning artistic image. Ceramic jewelry like gemstones, like jade, agate wins, the aesthetic development of the jewelry design a new vision to meet people of different personality aesthetic needs of a variety of modern jewelry. No doubt, ceramic jewelry has great market potential.

Application of ceramic materials in the jewelry is still small, but the characteristics of ceramic in its own to bring a new visual effects and texture. If the best performance out of rough pottery, the atmosphere, the effects of natural and simple; fine china and delicate porcelain, semi-transparent, pure, moist, shiny, “white as jade, bright as a mirror, as thin as paper, such as chime sound” is The four characteristics; purple clay has a “color is not brilliant, not greasy quality” features. Yixing Art biggest feature is the “quality, prime-shaped, plain, plain decoration,” not on the color, not glazing, but show a pure and honest, delicate, refined minimalist style is primitive. These attributes are unmatched by other materials.

First, the new and fashion

Ceramic jewelry making, and then have a strong exploratory and experimental features.Strange things people need to break into the market acceptance of fixed type. New generation of consumer groups, active thinking, passionate and full of fantasy, keep a novelty, difference of the state, easy to accept new things in the real world always have great interest in new things, willing to try new things . Reflected in consumer psychology and consumer behavior, manifested as the pursuit of novelty and fashion, the pursuit of beauty, like the spirit of the times on behalf of trends and commodity rich. In the consumer market, they are often the first buyers of new products, and consumer leaders.Ceramic jewelry to the market and is recognized by consumers the guidance they played a significant role.

Second, reflecting the cultural factors

Jewelry to ceramics, was also given a clear national identity and Chinese cultural values, portray the Chinese people’s psychological, spiritual and character development and change, along with the Chinese nation’s material and spiritual civilization forward, reflecting China nation’s cultural information and times. In addition, ceramic jewelry is no hazardous materials and environmental in nature. Ceramic jewelry consumers can feel good for human health is a “Green Jewelry” and it contains the human care.

If the selection of products on the generation of cheap and reliable standard is, then, this generation of consumers to pay more attention to quality of life, the standard selection of goods is more focused on the added value of goods and culture, to reflect the individual’s unique qualities and subjective feelings. Many international brands such as Nike’s brand spirit should be more prominent. ”Sports, performances, free and easy, free the spirit of the athletes,” so many of Nike consumers excited, frenzy. Ceramic jewelry has its own national soul and personality, have their own “green” image, which incorporates emotional and humane care of history, which itself is a spiritual, Chao Wuzhi, is the carrier of consumers and spiritual value system support.

Third, reflecting the emotional factors

Man and nature, human and social relations more complex, people experience their emotional relationship to the environment has become increasingly deepened, complex, people often are difficult to describe the emotional life. Produced by big factories seems the lack of uniform mechanical products, and changes in personality, so that people feel cold, lack of human touch. Attention to new manifestations of ceramic jewelry methods and new forms, showing the modern ideal, emotional personality psychology, consciousness flows on a variety of world and social cognitive and aesthetic value of art forms. Possess the clay and the nature of fire to bring people closer to come from the traditional memory, from which people feel like children and primitive simple, direct, frank and unfettered that its strong performance to go emotional impulse.

In real life, we need some “fun” of the products to decorate and enrich our lives, and in the form of entertaining fun and charm brought the release of life stress. Young people feeling rich, strong. Especially when intellectual and emotional factors into conflict, you always pay more attention to emotional factors. Reflected in consumer psychology and consumer behavior, consumer behavior of young people by the emotional and intuitive factors, greater intuition told them as long as the goods can be conveyed to more subjective feelings of the people themselves, will quickly make a purchase decision. In short, the activities of young people to buy more obvious emotional color, and its intensity is relatively large.

Fourth, outstanding personality and self-

As the spirit of modern art who advocate the independence of the internal character and external form of publicity, ceramic jewelry and traditional jewelry of a difference than is the external form of the inner unity of spirit and expression, focusing on creating original value of the individual and self- the value of experience. Extreme plasticity of ceramic materials have to give designers a vast creative space. Ceramic jewelry intentionally or unintentionally leave the surface of a variety of texture effects, need art ideas and performance skills, is a spirit of working with individual color results.

Modern minds of consumers often have a “me a” the “only” sense of hope that he is “different one.” Ceramic jewelry in the design, form a rich and rarely rigidly adhere to a form of repeated; in the creation, every hand; in style, a distinctive style, reflecting the independence of personality and self-awareness stamp. When the streets are stereotyped image, how to highlight in a crowd of modern consumers pay more attention to the problem. Ceramic jewelry in its own unique personality and able to meet their “sole” mentality, often can lead to consumer behavior.

In recent years, the field of jewelry design has undergone great changes, characterized mainly reflected in: Emphasis in the design of the concept of rejection of a status symbol, to promote the diversity of materials and non-precious metals exploration of unfamiliar areas, and strive to jewelry and wear complement each other’s body, advocates a concept to replace the form factor, emphasizing the experimental and the concept of jewelry, making the concept of personal artistic designers to play a leading role in the design. Ceramic jewelry design in the pursuit of beauty and artistic beauty of natural interest, engineering, arts integrated cross-display a unique personality and aesthetic different from the past. When the ceramic jewelry to the market, as long as it is characteristic of the times and reflect the values ​​of consumers, fit people’s material and spiritual needs, is undoubtedly of great potential.

 

Omen – Phoenix of china pottery

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Omen - Phoenix of china pottery

Porcelain Products: works of ceramic art in the form of work. Phoenix into art works,ancient general shape, coarse and heavy infiltration of the rich in the antique flavor,simple lines to Phoenix look lifelike sculpture, glazed with a white three-dimensionalpoint, a flow texture, deep flavor works.

Production process:
Jun Porcelain City of God originated in the Henan Yu Hou town, as one of the famous five porcelains, is the Treasure of the Chinese history of the kilns, dating back more than thirteen hundred years of history, has been hailed as the “National Treasure . “ Jun porcelain from the Tang and Song Sheng beginning, since the emperors Huizong been handpicked from the Queen’s treasures, except for Royal all, are not allowed to private possession. In the Song dynasty to enjoy “gold was priceless Jun”, “even though some family property as chinaware million a consistent” and reputation. Junyao changed the appearance of white domination of the young history of the world into a ceramic industry and its glorious period.
Jun Porcelain of God, extraordinary and wonderful, absolutely world crown four characteristics of the name:
God, with its mysterious unique “kiln” Art, to create a beautiful colorful, ever-changing Jun Porcelain charm.
Odd, like piano pieces such as the opening bell sound, elegant hack vulgar, put the action in the static, accompanied by a criss-cross network of ice cracks, making it more shiny enamel dripping through the living, as into the fragmentation, and refers to the sense of smooth glaze surface showing a pearl point. Crab claw marks. Such as mud lines earthworm wonderful artistic effect.
Wonderful, very muddy art of living shiny Junyao consonance, it gives unlimited imagination, that is, different angles, different light to you to new discoveries, new feelings, Smart through the live, unique charm .
Absolutely, poly color by kiln forming, and the formation of the landscape are the must.
Jun Porcelain Taizhi polished, solid and delicate; glaze natural, opalescent crystal, colorful and glorified, very poetic, and indeed the world is a must. Jun porcelain is that it has never get tired of rare charm, the glaze is not the man portrayed naturalness, Jun porcelain glaze each is unique, is the so-called “Jun Porcelain unparalleled, the kiln without the” with high appreciation and collection value, and become wealthy merchants and connoisseurs are striving to acquire high-end gifts and VIP gifts.
About the author:
Wang Qiuhong: Female, born in June 1971, Henan Yuzhou people. Jun-Yuan Yu City in Henan Province House in art ceramic art studio far, good at making ceramics, glaze innovation, ceramic kiln design. Completed in 2006, “traditional porcelain valuable light gas shuttle kiln,” provincial Achievement Award Science and Technology Agency. Jun porcelain works, “laughed blessing” was awarded the master of fine ceramic art, Chinese folk game gold, the work “more than luck,” won the Western China International Fair Gold Medal crafts gifts, work, “Tao Yuan” by the Chinese Folk Arts and Crafts Fair Gold Medal, work, “Chasing the Moon” Golden Tripod provincial folk art and craft fair, the work “respect for Xie,” was the first “Cultural Industry Expo Central China,” Art & Craft Gold, work, “Shao Yun” was the fourth “China Jun Porcelain Cultural Festival” Exhibition of Excellence, the work ”Phoenix” Shenyang was the first “Chinese Art Collection Expo” Gold Award, the work “Heaven and Earth Kingdoms” won the fourth “in Changchun, China Folk Art Fair” Excellence Award.

 

Han show “Top Lock”

21 十一

Su-Chu Chuang (Master of Arts in Fujian Province)
Origin: Dehua
Specifications: 35CM Diameter 25CM High

Porcelain Products:
Works as an executive arm of the image of the top lock Han. Works to glaze decoration, by kneading, carving, engravings skilled techniques and superb technology, create a mighty, imaginative mad Mang Tahan image.

Production process:
Taizhi delicate white porcelain of Dehua close, the glaze shiny, matrix combined with the glaze layer close, seamless, complement each other, among the many white to achieve the ultimate visual effect. The color white is the most simple, but can also have a rich visual effects. Germany also is the case of white porcelain, porcelain implicit quality color, white being the color rendering subtle tendency to give the impression of gentle, so do not feel monotonous, thorough and not dull, Su Jie and intriguing. Meanwhile, under different conditions, the firing of the white color tend to be different, so there are ivory, lard, white, green onion roots white, baby red, respectively. Dehua white porcelain not for the gorgeous color to white mainly, the glaze was sweet, moist, light and color jade, the pursuit of pure, Su Jie, elegant beauty of the material on the use of adequate understanding of the design is the accurate positioning and orientation , it shows the history of craftsmen to create wisdom.
Dehua porcelain sculpture, in the constant process of development of the color mix of traditional carving, wood carving, ivory carving and metal sculpture of the performance practices and techniques to enhance the performance of the work force and a unique sense of form. Works focus on the overall shape of the same characters, emphasizing the inner world of in-depth characterization, static in action, Vivid, giving work to appeal.Dehua porcelain sculpture of the expression means special attention to “line” use, highlighting the expressive line, the line ups and downs and to pay attention. In the three-dimensional sculpture in the line as the main means, which is the German of the more prominent features of ceramic sculpture for the formation of the style played an important role.
About the author:
Su-Chu village, was born in November 1968, a master craftsman in Fujian Province, China Arts and Crafts Sculpture Society Committee Member. 2004 Chinese Folk Literature and Art Association awarded “a ceramic artist” title. ”Appreciation of porcelain village” fourth generation is now working in Fujian Dehua Appreciation of Ceramic Sculpture Institute. Work, “Remembering Dongpo”, “wind song” won the first and second appraisal of Chinese ceramic art contest “Golden Ceramics Cup” Bronze Award. ”Sitting Rock Goddess of Mercy”, was awarded China (Taiwan) National Innovation Competition Bronze traditional pottery. ”Thinking” won the folk sculpture, ceramics, master of fine art of tournament gold medal. ”Chinese Opera” won the second Grand Prix of China ceramic product design, “in Ceramics Award” the highest bonus award. ”Asked Tao Ting Song” won the National Silver Medal in the Eighth ceramic art and design. ”Outlaws of the Marsh one hundred and eight will be” won the Gold Medal Exhibition in Shanghai Masters.
 

Snow cold pool

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Works as a powder porcelain wash ears. Ears shaped like fish, shiny transparent glaze, texture, fertilizer run jade.

Xuding Chang, born in 1955, Zhejiang Pingyang people. Senior art master, a master craftsman, Zhejiang Province, China Ceramic Industrial Association, Association of Chinese arts and crafts, ceramic art, Zhejiang Province, deputy director of the Committee, Lishui City, vice president of arts and crafts industry, Longquan celadon Industry Association, Longquan City Zhenchang celadon factory manager. Celadon glaze is committed to research, explore the younger brother of Ge ware kiln tire tires and creative process with, good at the concept of traditional craft with modern combination. Work, “the string of wind” and “pursuit of” folk art by the 2005 gold medal in Hangzhou. Work “powder blue stationery comfortable five” by the Hangzhou West Lake Expo 2005, “Flower Cup” Gold Chinese arts and crafts. Work, “Celadon seasons” by the Eighth National Ceramic Art and Design Innovation Award, “series of summer and winter seasons” of the “2008 China Intangible Cultural Heritage Exhibition of ceramic art of the” Gold Award. “61 cm Purple CD” and “18-inch vase Yunhe” is Zhongnanhai permanent collection. “Money King Furnace” by the Zhejiang Provincial Museum.

 

Coral red flowers and birds painted Jin Kaiguang Wenqiufuping

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china pottery

Republic of China porcelain mainly refers to the 1911 to 1949, firing of the porcelain works. Republic of China, porcelain Fetus thicker, more kilns products, such as the comparison with ancient porcelain, differ greatly. Combined with the Fetus enamel is not close enough, often glazed enamel off the bubble and the phenomenon. Hair color dark blue blue and white porcelain, called Ocean Blue. Ocean Blue is the dynasty and continued into the late Republic, when most of the application of blue and white porcelain kilns ocean blue. Fine art gradually less, the increase in lightly. Watercolor is the late Guangxu a porcelain color, this color does not contain silty, with the color material is thin, vitreous enamel features. Production of ceramics for daily use such as kilns, cap tube, pots, bowls, cups, cans and so on. Decorative patterns are from the previous landscape, figure, floral, evolving into one side painting, writing poetry side decoration. Most of Jingdezhen in Jiangxi, Tianjin, Tangshan, and porcelain factory firing. It is noteworthy that the Republic of China, in addition to production of ceramics for daily use, but also appeared a large number of antique porcelain, antique porcelain of this period a wide range of quantity, not imitation ancient ceramic wares, as well as imitation of the early Republic of China porcelain late.
New Fencai Ci is the porcelain one of the major highlights, especially the representatives of the second generation of the new pastel portrait masters “Zhu Shan eight friends.” Porcelain painting became popular in 1928, Wang Qi initiative in the establishment of full moon will be eight portrait master, known as the “Pearl Mountain Friends of Eight”, after a total of 10 portrait master to participate, namely Wang Qi, Wang Generally, Cheng Italian Pavilion, Wang Ye Ting, sort of people, Xu Zhongnan, Deng Bishan, Tazuru cents, Bibo Tao and Liu Yucen. “Eight Friends of the Pearl Mountain” exquisite porcelain art have left a number of very strong artistic personality works, some works even at the time was more than the price of Qing Imperial porcelain.