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pottery Yuan and Ming dynasties ornamentation of the Longquan celadon kiln Anfu

22

pottery culture

Longquan celadon kiln is truly famous kilns, firing history, from the Five Dynasties to the Qing Dynasty, the ceramic though after the rise and fall, but never stopped. Longquan kiln with its unique plums, pink green porcelain known. Five, North Song Longquan celadon and and have a self-similar characteristics Yue, Southern Song Longquan celadon with simple, elegant shapes and jade like Green glaze known, Yuan and Ming Longquan celadon thick casing, shape changing. Each kiln in Longquan kiln area, the most representative of the beauty of glaze, Longquan kiln is large, the most representative of the Five Dynasties and Northern Song Longquan kiln technology level is golden village kilns, most representative of Ge ware, kiln style is Xikou kiln, but it Few people know, the most representative of Yuan and Ming dynasties beauty of ornamentation Longquan kiln Anfu true face.

Anfu kiln Overview

Ming Hongzhi seven (1 object 494) into a book of Lu Rong thing “Shu Yuan Miscellaneous notes,” China: “In the Celadon, first for Liu, Tian (now the Longquan kiln), to the county 60 years. Times have gold village kiln, and Liu Tian-fetched Wuli Yu. outside the white goose, parasol, Anren, Anfu, etc. all have around the Green, natural mud oil refined, clever end model, all is not as Liu, Tian. “visible until the next mid-term Anfu kiln is still firing Celadon. Fuk Village, Longquan City, now part of eastern anrenzhen matter jurisdiction of less than 20 kilometers from the city of Longquan. The village is located in Longquan Oujiang river leading to the south, more favorable natural and geographical conditions, along wooded streams, porcelain clay of hoarding wealth, as the firing extract for a sufficient fuel and clay, but also for the porcelain bowl along the river Road exports to Wenzhou, Ningbo, provides water transport channel.

The late 20th century, 70 to 80 early in the excavation of the Longquan kiln East, the survey found that local Sung kiln sites have more than 20, are more than 50 Yuan, Ming has more than 20 shows Anfu region Ancient kilns burning as many games. Zhejiang Institute of Archaeology, Chinese Academy of Social Groups in Anfu Jinba lump kiln excavated an early Southern Song Dynasty kilns, length 72 m, 85 ~ 2.30 m, according to Save the sagger in the kiln at the end of calculation, a kiln can be loaded roast dishes more than 30,000 pieces, shows the output of the Southern Song Dynasty when the kiln has been a great Anfu. Anfu ancient celadon kiln stretches nearly Office, SAYING “18 Shueiduei, 36 bridges, 72 kiln owners, 99 kilns,” said Ming Anfu Village where ancient porcelain of prosperity. Has kept the door in the stone, large Kuriyama two ancient kiln factory, kiln bed still remains, pottery fragments and numerous, the stunning former glory and porcelain art. I Anfu to Ani Ani Ancient Kilns located in Bay of groups for city-level key cultural relics protection units. Anfu to Ani from the mouth of Sin Temple Lake, dotted with small and large ancient kiln in Longquan celadon 20 several, are in the Song, Yuan and Ming dynasties of ancient kilns, when the lake back down, was washed off the ancient lake kiln to show the piles of porcelain pieces, spectacular, let people see Ou Riverbanks Huang Ru kilns lined, fireworks across the river transportation between ceramic vessels, such as the downtown scene organization.

Decoration of Yuan Ming Anfu Celadon

Many private collections of Yuan and Ming Longquan celadon kiln Anfu residual device, although I see only the tip of the iceberg, but also attracted a variety of celadon decoration. Longquan kiln products Anfu though not as large Celadon glaze crystal moisture, but techniques in porcelain decorative patterns seem to win one chip. During this period, Anfu Celadon diverse decorative techniques, including engraving, printing, decals, exposed child, Loudiao such decorative objects techniques to refine the design is fine and diverse. Anfu Kiln celadon production of Yuan and Ming Dynasties main target of the common people, so subject unfettered, more folk art features.

Anfu kiln printing technology is widely used North and the South Song Dynasty kilns are a popular decorative techniques. Yuan and Ming dynasties, Longquan kiln craftsmen Anfu won the essentials of their method, to be widely used in the use of vaginal thin lines while printing with carved patterns with sun printing, decorative printing to produce a simple changing of the artistic effect, the kiln in Longquan area stands out.

Anfu decorated celadon kiln common are:

1, plants: chrysanthemum, lotus, peony, banana leaf, rose, peach, plum, okra, orchids, Ganoderma lucidum, hibiscus, loquat, peach, weeds, pine, bamboo.

2, animals: dragon, phoenix, fish, shrimps, sheep, deer, turtles, horses, monkeys, bees, dragonflies, butterflies, cicadas, Zodiac.

3, other types: with religious and auspicious meanings of miscellaneous treasure pattern, gossip pattern, coin pattern and so on.

Perhaps because of the Yuan and Ming Longquan artisans things growing up in the mountains between the green water, plants, fish and insects they see, birds and beasts Jieke creation into the porcelain. Back when Mr. Chen Wanli in the spring of Longquan kiln Beas see Yuan-Long Song wash the image of many fish as never seen before, and later in the Longquan people eat at home, accidentally saw the fish plate and porcelain in full bloom on very much like fish, then realized that the fish pattern Longquan porcelain likely to mimic the local native species from Longquan.

Anfu Celadon has a rare Zodiac decoration patterns, which in 12 kinds of animal characters with 12 Earthly Branches. There are residual bowl in the middle printed with “peace and harmony” and coins the word lines, like next to the text printed on lap eight Bath. Bath 8 for the Mongolian language text, which is when the Mongolian Yuan Dynasty, the Han cultural reflection in the porcelain.

Then there is the butterfly lotus petals stay, it seems reluctant to show the expression of the flower, it seems to make people smell the fragrance of lotus.

Another kind of point-color plastic stickers in green glazed bowl turtle heart, next to the printed Songhe pattern, should be the symbol of the tortoise crane ensure long life. Moire common in ancient pottery decoration, Five Dynasties to the early Northern Song Yue, Yaozhou Song celadon porcelain making products and are posted on the moire plastic or carved for decoration, Longquan kiln will Anfu Moire absorb the Yuan Dynasty porcelain decoration one subject, and to a strong three-dimensional plastic stickers on the way to be used in celadon.

Some element Mingan Fu Kiln Celadon bowl printed money like a circle of non-cash decoration, supported by “卍” word symbols, financial resources may be implied constant mean. In addition to easily identify the lotus blessed with children, toddlers, deer, cranes with the spring, immediately Monkey and other auspicious patterns, many symbols and designs have yet to be identified.

In general, many kilns Kilns Anfu region, product variety, Anfu Celadon more than decoration for the Chinese traditional auspicious patterns, also combines Buddhism, Taoism auspicious themes. Face a variety of Longquan celadon kiln Anfu decoration pieces, we note that in ancient China or ancient burial sites unearthed in the few similar items. So, these decorations beautifully Yuan Ming Anfu material Celadon was then sold where are they? It is said that the Philippines had unearthed Anfu Celadon may Anfu kiln is designed to export refined products export porcelain.

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fier-pottery-怒火

21

pottery

Production process:
Glaze color, a decorative porcelain glaze. Also known as “furnace color.” The so-called glaze color is white glaze before firing porcelain, painted in white glaze on after the re-entry through the kiln to 900 degrees 600 degrees Celsius temperature baking. Glaze colorful, pastels, are overglaze enamel. Glaze glaze glaze firing mixed color is the first color (ie, painted directly onto the porcelain body, cover a transparent enamel firing temperature, mainly blue), and then paint in the appropriate parts of glaze color, into the second firing furnace temperature. Red color blue vitriol, bucket-color glaze underglaze blue and white are all colorful mixed color. Eventually form a blue and white category; color vitreous enamel type; ceramics class three series. Color material varieties, rich colors, patterns slightly protruding, the operation is simple compared with underglaze color. However, poor screen brightness, easy to wear after long use of color; erosion will be dissolved by acid foods lead, cadmium and other toxic elements. The main products are colorful, pastels, new color, the enamel, ink color, outline in gold and so on.